Our context engine found "al qaeda" used in 9 musical pieces, reflecting its semantic importance.Explore how artists use this specific phrasing in their creative work.
al qaeda
Singer: starlito
renaissance gangster
strapped like i'm into it with the al qaeda
renaissance gangster
renaissance gangster
strapped like i'm into it with the al qaeda
renaissance gangster
Singer: young, neil
by tapping our computers and telephones
what if al qaeda blew up the levees
would new orleans have been safer that way
by tapping our computers and telephones
what if al qaeda blew up the levees
would new orleans have been safer that way
Singer: jamil
una picka che non mi basta
i miei fratelli al qaeda lo sai che ci siamo
voi state attenti
una picka che non mi basta
i miei fratelli al qaeda lo sai che ci siamo
voi state attenti
Singer: ministry
america has been hijacked
not by al qaeda
not by bin laden
america has been hijacked
not by al qaeda
not by bin laden
Singer: nle choppa
no
got them bombs like al qaeda
end
no
got them bombs like al qaeda
end
Singer: flipsyde
missiles
moqtada al sadr bin laden al qaeda they all multiplyin' and hidin' and george can't find 'em
and even if he did and killed them then another would come
missiles
moqtada al sadr bin laden al qaeda they all multiplyin' and hidin' and george can't find 'em
and even if he did and killed them then another would come
Singer: az
start
it's so simple. life. death. i am one of the flyest my crew is like the al qaeda's
we war like in them mess halls of elmyra
start
it's so simple. life. death. i am one of the flyest my crew is like the al qaeda's
we war like in them mess halls of elmyra
Singer: damian marley
then pisces
al qaeda
then isis
then pisces
al qaeda
then isis
Singer: hilltop hoods
in the place and we raising the roof
like al qaeda had placed a case in the booth
a taste of the truth and some flawless shit
in the place and we raising the roof
like al qaeda had placed a case in the booth
a taste of the truth and some flawless shit