Our context engine found "four. three. two. one. fire. they can't wait to use it. they can't wait to use it. they can't wait to try it out. they can't wait to use it. they've got a bomb. they've got a bomb" used in 1 musical pieces, reflecting its semantic importance.Explore how artists use this specific phrasing in their creative work.
four. three. two. one. fire. they can't wait to use it. they can't wait to use it. they can't wait to try it out. they can't wait to use it. they've got a bomb. they've got a bomb
Singer: crass
well whose fucking head do you think they're holding over?
four. three. two. one. fire. they can't wait to use it. they can't wait to use it. they can't wait to try it out. they can't wait to use it. they've got a bomb. they've got a bomb
and they can't wait to use it on me. twenty odd years now waiting for the flash. twenty odd years now waiting for the flash
well whose fucking head do you think they're holding over?
four. three. two. one. fire. they can't wait to use it. they can't wait to use it. they can't wait to try it out. they can't wait to use it. they've got a bomb. they've got a bomb
and they can't wait to use it on me. twenty odd years now waiting for the flash. twenty odd years now waiting for the flash